Daily life in Poland, 1936, scenes of Polish cavalry

TRIMS not connected by subject matter. EXT, VS, a new schoolhouse in Lowicz, Poland, scenes in the schoolyard, children playing. EXT, VS, three young girls walking down a dirt road, followed by horse drawn carriage, a church steeple is visible in the BG in Lowicz. EXT, MLS, large estate in the Polish countryside. EXT, MLS, group of men at stable, Lowicz, Poland. INT, Zinc refinery in Zakopane, Poland. CU of molten zinc being poured into molds. EXT, MS, young women in peasant dress line parade route in Warsaw. EXT, CU, shop windows in Warsaw. EXT, VS, Polish cavalry on maneuvers. EXT, VS, M. Finkelstein's haberdashery in the Jewish quarter of Krakow, Poland. EXT, country estate. EXT, Young women in peasant dress line parade route in Warsaw, Poland. EXT, Train station in Gdynia, Poland. Julien Hequembourg Bryan (1899-1974) was an American documentarian and filmmaker. Bryan traveled widely taking 35mm film that he sold to motion picture companies. In the 1930s, he conducted extensive lecture tours, during which he showed film footage he shot in the former USSR. Between 1935 and 1938, he captured unique records of ordinary people and life in Nazi Germany and in Poland, including Jewish areas of Warsaw and Krakow and anti-Jewish signs in Germany. His footage appeared in March of Time theatrical newsreels. His photographs appeared in Life Magazine. He was in Warsaw in September 1939 when Germany invaded and remained throughout the German siege of the city, photographing and filming what would become America's first cinematic glimpse of the start of WWII. He recorded this experience in both the book Siege (New York: Doubleday, Doran, 1940) and the short film Siege (RKO Radio Pictures, 1940) nominated for an Academy Award in 1940. In 1946, Bryan photographed the efforts of the United Nations Relief and Rehabilitation Agency in postwar Europe.