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Motke Blum was born in Racaciuni (Moldava), Romania, on April 5, 1925, to Arie Lieb (1898-1983), and Leah Josef, (9/1904- 12/1989) His father was a shoemaker. Motke has two siblings, Haim, born in 1923, and Nissan, born in 1932. Prior to World War II, his family moved to Bucharest, Romania, where Motke attended a Jewish school and belonged to the Gordonia Zionist movement. In January 1939, Romanian ...

Mystical oil painting created by Louise Abouaf Starr in 2003 to commemorate March 27, 1942, the day she witnessed the first deportation of Jewish prisoners from Drancy via train from Paris. The colorful painting features train cars loaded with prisoners surrounded by symbolic images of angels, animals, and the Torah. On March 27, Louise, age 23, and her mother went to the station looking for her father ...

Painting and frame created by Dr. Samuel Vreedenburg in 1944 while he was living in hiding in the home of his former assistant and her husband, Janny and Willem Blom, in Amsterdam, Netherlands. It is a copy of Van Gogh’s The Zouave and was painted on a pillowcase with a frame made from crib slats. Germany occupied the Netherlands in May 1940 and, in 1942, Samuel and his wife Marianne sent their 9 year ...

1. vyd. 334 pages : illustrations ; 31 cm

48 p. : illustrations.

Kazerne Dossin Research Centre

Aus der Vortragsreihe: Holland und Flandern. 27 p, 20 p. pl. : ill. ; 21 cm.

The collection is thematically focused on socially critical and committed art created between the two world wars. The central part of the collection consists of works of art created during the Second World War: Partisan prints, drawings, paintings, sketches, etc. by camp inmates from mainly Italian, but also German concentration camps, prisoner-of-war camps and the prisons of the occupying forces. ...

This collection consists of three drawings, one watercolor painting and one oil painting created by Alkis (Alkiviades) Keramidas immediately after World War II, depicting German retaliation aktion in Greece.

The collection contains a variety of materials related to the representation of the Holocaust in the Arts, both by Holocaust survivors and post-Holocaust artists. Much of the material was generated during research for Mary Costanza’s seminal monograph on the topic titled “The Living Witness.”.